Hugo Diaz: Difference between revisions

Revision as of 2010-10-23T16:55:43

Hugo Diaz - armonica

http://www.tango.info/HugoaDiaza
1927-08-10--1977-10-23

1. http://www.harmonicaspain.com/estudios/milton/armonica_y_tango.htm

Norberto Pereyra, Caíto Díaz y Roberto Grela en guitarras, José Colángelo en piano, y Omar Murtagh en contrabajo (entre otros “próceres”) graban “Hugo Díaz en Buenos Aires” vol.1, vol.2 y vol.3, a los que se suma otro volumen dedicado a Carlos Gardel (El único que ha circulado en formato CD)

2. 03464630019585 CD "Hugo Díaz - Tangos".

3. http://www.milonga.co.uk/tango/diaz.shtml

Vals or tango:

Look at the first 0:20 and last 0:25 of "Amores estudiante" - you can say the same thing. And relatedly some milongas by various artists as well - there are parts in between that feel more like tango. There are more periods of elongation of the rhythm in "Amores estudiante", it's true. Nonetheless, it seems pretty hard to me to argue with that 3/4 time that "Guitarra mia" keeps coming back to, which (in my view) is what defines a vals fundamentally. Perhaps you feel that the classification is instead based upon a global view of how the song feels.

Hugo Diaz - bandoneonist

http://www.tango.info/HugoaDiazb

Trio Hugo Diaz. bandoneón - double bass - piano

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 . http://www.milonga.co.uk/tango/diaz.shtml
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+Vals or tango:
+Look at the first 0:20 and last 0:25 of "[[Amores estudiante]]" - you can say the same thing. And relatedly some milongas by various artists as well - there are parts in between that feel more like tango. There are more periods of elongation of the rhythm in "Amores estudiante", it's true. Nonetheless, it seems pretty hard to me to argue with that 3/4 time that "Guitarra mia" keeps coming back to, which (in my view) is what defines a vals fundamentally. Perhaps you feel that the classification is instead based upon a global view of how the song feels.
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 ==Hugo Diaz - bandoneonist==