2009-01-03 tanda schemes: Difference between revisions

From tango.info wiki
Jump to navigation Jump to search
No edit summary
No edit summary
 
(8 intermediate revisions by the same user not shown)
Line 1: Line 1:
[[category:DJing]]
==Overview==
==Overview==
This page lists some system used to structure the music at a milonga.  
This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the [[Yahoogroup TangoDJ]].


See also
See also
Line 10: Line 9:
===T3-T3-V3-T3-T3-M3===
===T3-T3-V3-T3-T3-M3===
( 3 songs each )
( 3 songs each )
 
* [[Chris Jordan]]
* [[Ricardo Grünewald]]
* [[Ricardo Grünewald]]
* [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
* [[Fredi Lienhardt]] http://groups.yahoo.com/group/TangoDJ/message/4589
* Don Juan - Italy
* Don Juan - Italy
* [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
* [[Astrid Weiske]] mostly that scheme - replacing traditional tanda and play alternativ/electro depends on venue and atmosphare   
* [[Tobias Conradi]] ([[User:Tobiasco/tandas]], sometimes 2 for real non-tango, i.e. Salsa)
* [[Steve Morrall]] (mostly)
* [[Steve Morrall]] (mostly)
* [[Njaal Bendixen]] (except for one neo tanda)
* [[Njaal Bendixen]] (except for one neo tanda)
Line 36: Line 36:
* [[Ira Goldstein]]
* [[Ira Goldstein]]
* [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
* [[Lars Hellemo]] Mainly, also T4-V3-T4-M3
* [[Bärbel Rücker]] (mostly this scheme)
* [[Tobias Conradi]] ([[User:Tobiasco/tandas]])
===T4-T4-V4-T4-T4-M4===
===T4-T4-V4-T4-T4-M4===
*[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
*[[Miguel Jahnel]]: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
*[[Victor Hugo Sanchez]]
*[[Victor Hugo Sanchez]]
*[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
*[[Harry Wohlfart]]: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3
*[[Laurent Pouillet]] (mostly) ; sometimes M3 if pepole cannot follow anymore
===T4-T4-V4-T4-T4-M3===
===T4-T4-V4-T4-T4-M3===
( 4 songs, except milonga: 3 songs)
( 4 songs, except milonga: 3 songs)
Line 50: Line 47:
*[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
*[[Alex Long]] T4-T4-V4-T4-T4-M3; small or house milongas: T3-T3-V3-T3-T3-M2; Primarily Trad/Guardia Vieja, but with a sizeable collection of Alt/Nuevo if the event merits it ... Cortinas always - 25-45 seconds
===T-T-V-T-T-M other===
===T-T-V-T-T-M other===
unknowkn or varying length, (review at another time)
unknowkn or varying length (review at another time)
* [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
* [[Stephen Brown]] : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
* [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
* [[Dubravko Kakarigi]] : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.
Line 67: Line 64:
===T4-T4-V3-T4-M3===
===T4-T4-V3-T4-M3===
*[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
*[[Aydogan Arkis]] Loop this structure, 2-3 Electronico / alternative music per night.
==other==
==T-V-T-T-M-T-T-M==
===T3-V3-T3-T3-M3-T3-T3-M3===
===T3-V3-T3-T3-M3-T3-T3-M3===
*David Chayes but also T3-T3-V3-T3-T3-M3
*[[David Chayes]] but also T3-T3-V3-T3-T3-M3
 
==T-T-T-M-T-V==
==T-T-T-M-T-V==
* reported at http://groups.yahoo.com/group/TangoDJ/message/4588
reported at http://groups.yahoo.com/group/TangoDJ/message/4588

Latest revision as of 2015-05-31T18:48:57

Overview

This page lists some systems used to structure the music at a milonga. The data was added this page between 2008-12-02 and 2009-01-03 and mostly based on messages in the Yahoogroup TangoDJ.

See also

T-T-V-T-T-M

T3-T3-V3-T3-T3-M3

( 3 songs each )

T3-T3-V3-A1-T3-T3-M3-A1

T3-T3-V3-T3-T3-M3-T3-T3-A

  • Bob Barnes T3-T3-V3-T3-T3-M3-T3-T3-A(1or2), where "A(1or2)" means one or two alternative/electro/swing/salsa tunes.

T4-T4-V3-T4-T4-M3

( 4 songs for tango, 3 songs for vals and milonga)

T4-T4-V4-T4-T4-M4

  • Miguel Jahnel: in Buenos Aires I use the traditionally structure T4-T4-V4-T4-T4-M4 with cortinas and aditionally the intermediate tanda with cumbias, rock and/or Foxtrots. In Germany T5-V3-T5-M3
  • Victor Hugo Sanchez
  • Harry Wohlfart: If the milongas are very fast or people seem not to be able to follow more milongas, I go back to M3

T4-T4-V4-T4-T4-M3

( 4 songs, except milonga: 3 songs)

T-T-V-T-T-M other

unknowkn or varying length (review at another time)

  • Stephen Brown : DJing at local milongas, I always play cortinas and mostly adhere to the cycle T4-T4-V3-4-T4-T4-M3. The length of the vals tanda depends on how many good valses fit with the sound of the tanda. For festivals, I always play cortinas and use tandas of 4 for valses and milongas; T4, T4, V4, T4, T4, M4. For a tanda of tango fusion or electro tango, I usually play T3 because the individual pieces of music are longer.
  • Dubravko Kakarigi : I also use the T-T-V-T-T-M format with varied number of songs per tanda. I mostly aim at tango tandas of around 10-11 min and M&V tandas with at most three songs/tanda.

T-T-V-T-M

T4-T4-V4-T4-M3

  • Andy Kamienski at beginning of evenig, then T4-T4-V4-T4-T4-M3 second half of the evening

T-V-T-M

T3-V3-T3-M3

T5-V3-T5-M3

  • Miguel Jahnel in Germany without cortinas but when I see that the dancer wants more tangos I change the structure to T6-V3-T6-M3 without cortinas. In BsAs T4-T4-V4-T4-T4-M4

T4-V3-T4-M3

  • Tine Herreman - I use T4-V3-T4-M3 the first hour to prime the party, then I add an additional 4T in there for the bulk of the evening (doing either T4-T4-V3-T4-M3 or T4-V3-T4-T4-M3 ), and I end up the last hour doing T4-T4-V3-T4-T4-M3.

T-T-V-T-M

T4-T4-V3-T4-M3

  • Aydogan Arkis Loop this structure, 2-3 Electronico / alternative music per night.

T-V-T-T-M-T-T-M

T3-V3-T3-T3-M3-T3-T3-M3

T-T-T-M-T-V

reported at http://groups.yahoo.com/group/TangoDJ/message/4588